(no subject)
Nov. 14th, 2010 12:18 amTo London to see Sean Holmes' new production of Blasted at the Lyric. The promotional posters all over the bar and foyer carried the slogan 'Reviled. Respected. Revived.' While I'm naturally delighted that this play is today recognised as a landmark piece and deemed worthy of major new productions like this one, for me there was an elephant in the room : the absolute tragedy that Sarah did not survive to see her work receive the acknowledgement of its importance that it deserves. The programme, at least, did nod to this, its notes on the author opening "Sarah Kane was born in 1971 and died in 1999. Despite initial critical hostility and outrage, her plays are now regarded as modern classics..."
Holmes brings a different and very effective staging to the play. The opening scenes are staged in a quality hotel room filling up a wide stage, with the bed as the focal point and a well-stocked minibar to the side. Then after the bomb goes off, all the fixtures and fittings disappear and the rest of the action is played out in darkness, around the bed, isolated against a backdrop of bare wooden joists, several of them damaged. Danny Webb portrays Ian as he should be played, haggard, dishevelled, his sardonic Yorkshire accent ravaged by alcoholism and lung disease. Lydia Wilson is a very convincing Cate, getting her fits spot on, and Aidan Kelly is suitably aggressive and crazed as the Soldier - with a hint of Irish accent. There's a couple of moments where Ian goes full-on naked but it fits in with the plot. The rape scene succeeds in being handled both realistically and tastefully - and, just beforehand, Ian and the Soldier are portrayed as almost being about to bond, before they fall out, setting up the denouement. A production that does the play full justice.
On my way out, one of the two young ladies in front of me said to her friend "The next time my brother calls me a big girl for not watching Saw..."
Switched my phone on in the foyer to find a text from Malc - Hawks were 1-0 up at Welling through Manny. On a hopelessly crowded tube (engineering works had shut down whole lines and huge sections of the network), in the open-air section of the line (thus my phone worked), I received another to say we'd won 2-0 and E*******h had been hammered 4-1 at home by Staines :)
Back at Victoria I met these lovely people when they asked me where the Greyhound stop was. We got talking and they explained that they were on a charity hitch-hike, trying to travel as far as possible without paying, in aid of Dreamflights, who provide holidays for children with learning disabilities. They'd set off from Durham this morning, got a free ride to Middlesbrough with their student bus passes, then persuaded a National Express driver in Middlesbrough to take them to London, so now they were about to try and get on the Greyhound to Portsmouth. I wished them luck and put a pound in their tin. Fortunately there were plenty of spare seats on our coach and the driver was a good sport, so I had them sat in front of me for the ride home. I asked what their plans were when they hit Pompey and they replied that they planned to try and get onto a ferry to France or Spain (they said they might consider the Isle of Wight as a last resort). They spent most of the journey on the phone to friends, family and others interested in their quest, including trying to set up meet-ups and lifts and finding out which ferries were leaving Portsmouth tonight. When we arrived at the Hard, the driver agreed to take them to the Continental Ferry Port after we'd all got off.
Holmes brings a different and very effective staging to the play. The opening scenes are staged in a quality hotel room filling up a wide stage, with the bed as the focal point and a well-stocked minibar to the side. Then after the bomb goes off, all the fixtures and fittings disappear and the rest of the action is played out in darkness, around the bed, isolated against a backdrop of bare wooden joists, several of them damaged. Danny Webb portrays Ian as he should be played, haggard, dishevelled, his sardonic Yorkshire accent ravaged by alcoholism and lung disease. Lydia Wilson is a very convincing Cate, getting her fits spot on, and Aidan Kelly is suitably aggressive and crazed as the Soldier - with a hint of Irish accent. There's a couple of moments where Ian goes full-on naked but it fits in with the plot. The rape scene succeeds in being handled both realistically and tastefully - and, just beforehand, Ian and the Soldier are portrayed as almost being about to bond, before they fall out, setting up the denouement. A production that does the play full justice.
On my way out, one of the two young ladies in front of me said to her friend "The next time my brother calls me a big girl for not watching Saw..."
Switched my phone on in the foyer to find a text from Malc - Hawks were 1-0 up at Welling through Manny. On a hopelessly crowded tube (engineering works had shut down whole lines and huge sections of the network), in the open-air section of the line (thus my phone worked), I received another to say we'd won 2-0 and E*******h had been hammered 4-1 at home by Staines :)
Back at Victoria I met these lovely people when they asked me where the Greyhound stop was. We got talking and they explained that they were on a charity hitch-hike, trying to travel as far as possible without paying, in aid of Dreamflights, who provide holidays for children with learning disabilities. They'd set off from Durham this morning, got a free ride to Middlesbrough with their student bus passes, then persuaded a National Express driver in Middlesbrough to take them to London, so now they were about to try and get on the Greyhound to Portsmouth. I wished them luck and put a pound in their tin. Fortunately there were plenty of spare seats on our coach and the driver was a good sport, so I had them sat in front of me for the ride home. I asked what their plans were when they hit Pompey and they replied that they planned to try and get onto a ferry to France or Spain (they said they might consider the Isle of Wight as a last resort). They spent most of the journey on the phone to friends, family and others interested in their quest, including trying to set up meet-ups and lifts and finding out which ferries were leaving Portsmouth tonight. When we arrived at the Hard, the driver agreed to take them to the Continental Ferry Port after we'd all got off.